NOICE

Robby Ogilvie

"COURTS"

Favourite Camera

Yashica LM Mat

Favourite Photographer

Jeff Wall

While living and teaching in Hong Kong, I began photographing basketball courts. They appeared everywhere across the city: beside schools, between housing towers, on rooftops and in open courtyards. What first drew me to them was not the game itself but the geometry of colour and the rhythm of repetition. Circles, lines and rectangles laid across painted surfaces that felt both functional and quietly meditative. In Hong Kong these courts are woven deeply into the architecture of the city. Many sit within the vast public housing estates that define its skyline, places where everyday life gathers and circulates. They operate as small social stages embedded within dense urban neighbourhoods, spaces where recreation, observation and community life intersect. As Ilooked through the camera lens, these familiar spaces began to shift. By isolating fragments of the court and focusing on colour, surface and line, the images move between documentation and abstraction. A place designed for play becomes a composition of form and structure, where the ordinary markings of the court start to read as fields of colour and geometry. When I photographed them, I was interested in the traces left behind once the game had ended. The painted markings and worn surfaces suggest moments of activity that have already passed. For brief periods the courts fall quiet, allowing colour, form and texture to come forward. Through these images the courts become fragments of the city itself. Fields of colour and structure that reflect the rhythm and density of Hong Kong, capturing a quiet interval where space briefly takes centre stage.