NOICE is a photography publication and community for photographers that have a meticulous eye for form, beauty, symmetry, novelty, and humour.
Portfolio Reviews / Mentorship Program
We offer personal portfolio reviews as part of our premium submission tiers. These reviews are designed to provide helpful guidance for those seeking direction in their creative journey. Gaining such insights can be invaluable in navigating challenging decisions, like determining the right path to pursue.
Oana Bakovic:
“Having my work reviewed by NOICE Magazine has been an invaluable experience. The thoughtful and constructive feedback has encouraged me to deepen my exploration of storytelling and visual dynamics and provided fresh perspectives that will shape my future projects. Engaging with a community that values creativity and meaningful dialogue is incredibly rewarding, and I’m grateful for the opportunity to connect with NOICE.”
Nick Grinder:
The NOICE portfolio review helped narrow my focus in curating and editing my portfolio, and also gave me direction in how to build on what I currently have going forward in terms of theme and style. The critique was very thoughtful, constructive, and evenly weighted. It was neither harsh nor flowery, but refreshingly objective and thorough. Getting direction in terms of layering subjects/points of interest was helpful and applicable - I could immediately focus on the very next time I went out shooting. Having a seasoned photographer sift through your images with a clear eye and a clear communication style is so valuable, especially with how solitary photography can sometimes be.
Anton Bou:
I reached out to Colin for mentorship, drawn by his talent as an editor at NOICE magazine, and I have never regretted trusting my intuition. Throughout our collaboration, I honed my discipline in sorting images and improved my sequencing skills. Bringing out photographs with a strong visual impact—this is the hallmark of his editorial work. Additionally, his gift for writing helped me craft statements that are more dynamic and strongly grounded in my images.
Words can hardly express the joy and gratitude I feel for having met someone like Colin. Enthusiastic, respectful, and genuinely attentive, he has a remarkable ability to resonate with my propositions, helping me better understand them and give them a new depth, both narratively and aesthetically.
The cherry on top: some of the projects Colin guided me through have grown into a solo exhibition and have been featured in group exhibitions and publications
Benjamin Bertolini:
What I’ve learned from submitting my photos to Noice is that it's important to get up close and personal with your subject, but also to take a step back and use the background to tell a deeper story. This approach helps the viewer better grasp the concept of the image. I’ve also realized that sometimes the environment itself can be the full story, rather than relying on a single character.
Additionally, I've learned that not every image needs to have its subject dead center. It's okay to let the subject breathe and leave some space. This has been a process of unlearning old habits and relearning new ones. I don’t often have the chance to discuss my work with other photographers, so having a publication provide constructive feedback has been both eye-opening and growth-inducing. I’m grateful for the opportunity and the valuable experience it has given me.
Ken Koba:
Having my work reviewed by NOICE Magazine has been an enlightening and deeply meaningful experience.
Through their thoughtful evaluation, I gained valuable insight into the emotional weight and interpretive possibilities of my photography — not only what my images mean to me, but how they may be perceived by others.
The feedback helped me see new directions: while continuing to explore emotional expression through black and white, I’ve also begun to envision the potential of working in color.
Letting go of linear thinking and embracing a more spiral, layered approach — one that incorporates complexity, structure, and subtle humor — has opened up new creative possibilities for me.
I am truly grateful for the constructive and inspiring dialogue I was able to share with the NOICE team. Being recognized by a community that so genuinely supports art and thought has left a lasting impact, and I sincerely thank NOICE for this opportunity to grow.
We offer personal portfolio reviews as part of our premium submission tiers. These reviews are designed to provide helpful guidance for those seeking direction in their creative journey. Gaining such insights can be invaluable in navigating challenging decisions, like determining the right path to pursue.
Mentorships are also available.
While it’s essential to honor your own pace and not rush the natural process, seeking guidance with an open mind and good intentions can be a powerful tool for growth. For those who are ready, these reviews can provide meaningful clarity and support.
Signup here.
Oana Bakovic:
“Having my work reviewed by NOICE Magazine has been an invaluable experience. The thoughtful and constructive feedback has encouraged me to deepen my exploration of storytelling and visual dynamics and provided fresh perspectives that will shape my future projects. Engaging with a community that values creativity and meaningful dialogue is incredibly rewarding, and I’m grateful for the opportunity to connect with NOICE.”
Nick Grinder:
The NOICE portfolio review helped narrow my focus in curating and editing my portfolio, and also gave me direction in how to build on what I currently have going forward in terms of theme and style. The critique was very thoughtful, constructive, and evenly weighted. It was neither harsh nor flowery, but refreshingly objective and thorough. Getting direction in terms of layering subjects/points of interest was helpful and applicable - I could immediately focus on the very next time I went out shooting. Having a seasoned photographer sift through your images with a clear eye and a clear communication style is so valuable, especially with how solitary photography can sometimes be.
Anton Bou:
I reached out to Colin for mentorship, drawn by his talent as an editor at NOICE magazine, and I have never regretted trusting my intuition. Throughout our collaboration, I honed my discipline in sorting images and improved my sequencing skills. Bringing out photographs with a strong visual impact—this is the hallmark of his editorial work. Additionally, his gift for writing helped me craft statements that are more dynamic and strongly grounded in my images.
Words can hardly express the joy and gratitude I feel for having met someone like Colin. Enthusiastic, respectful, and genuinely attentive, he has a remarkable ability to resonate with my propositions, helping me better understand them and give them a new depth, both narratively and aesthetically.
The cherry on top: some of the projects Colin guided me through have grown into a solo exhibition and have been featured in group exhibitions and publications
Benjamin Bertolini:
What I’ve learned from submitting my photos to Noice is that it's important to get up close and personal with your subject, but also to take a step back and use the background to tell a deeper story. This approach helps the viewer better grasp the concept of the image. I’ve also realized that sometimes the environment itself can be the full story, rather than relying on a single character.
Additionally, I've learned that not every image needs to have its subject dead center. It's okay to let the subject breathe and leave some space. This has been a process of unlearning old habits and relearning new ones. I don’t often have the chance to discuss my work with other photographers, so having a publication provide constructive feedback has been both eye-opening and growth-inducing. I’m grateful for the opportunity and the valuable experience it has given me.
Ken Koba:
Having my work reviewed by NOICE Magazine has been an enlightening and deeply meaningful experience.
Through their thoughtful evaluation, I gained valuable insight into the emotional weight and interpretive possibilities of my photography — not only what my images mean to me, but how they may be perceived by others.
The feedback helped me see new directions: while continuing to explore emotional expression through black and white, I’ve also begun to envision the potential of working in color.
Letting go of linear thinking and embracing a more spiral, layered approach — one that incorporates complexity, structure, and subtle humor — has opened up new creative possibilities for me.
I am truly grateful for the constructive and inspiring dialogue I was able to share with the NOICE team. Being recognized by a community that so genuinely supports art and thought has left a lasting impact, and I sincerely thank NOICE for this opportunity to grow.